After writing the post Homesteading Artist Problems I was determined to spend more time in my little studio. C’mon! How hard can it be to finish one piece of work? Well that was in July 2017. The peach preserves were delicious. I never planted the okra. August 2017 was just too hot to wage war with invasive garden insects. In September I managed to write one last post before Hurricane Irma painted a swath of red through Middle Georgia. No damages to our home, just the inconvenience of being without power for a few days.
The remainder of the year passed quickly. The gardens were put to sleep under blankets of pine straw. Medicinal herbs were dried and made into tinctures and teas to lessen the misery of cold/flu season. The fireplace was made ready for colder weather. I turned my attention to crocheting and knitting projects for added layers of warmth. January 2018 – we got the usual Georgia slip n’ slide of ice and snow on hilly streets. Now its February 2018. Freakishly warm today – high was 80. The weeds are sprouting, the rosemary is blooming like crazy and the yellow trumpet vines are blooming in the woods.
Worse yet, our pear tree is doing its level best to burst open its buds. If the pear tree blooms too early, a hard freeze – which will surely occur, mean no pears for canning again this year! And there ain’t a thing I can do about it.
Can’t fight nature. Can’t put it on hold.
This homesteading artist has finally accepted that nature will not be made to wait while I make art and write blog posts. My goal for 2018 is to embrace and adjust to the rhythm of natural laws.
Therefore I am once again changing the blog’s format. Aiming for simplicity – posting about my art journey at home in the south.
To a southerner, steamy temperatures above 90 isn’t a heat wave. Its Summer. Until it gets too hot for tomatoes.
We continue in our summer routines – cutting grass, washing trucks, fighting off blood-sucking insects. We take little notice of the oppressive heat until the tomatoes stop growing. When its too hot for pollination its time to check on the elderly, drink plenty of fluids, stay inside air-conditioned buildings and thank God that you have a rickety ceiling fan and not a crystal chandelier in your bedroom.
THE INSPIRATION: With daytime temperatures staying above 86, there are no new tomatoes being produced. I’m just trying to save the ones that are there.
THE CHALLENGE: Plein-air work in the garden. At 8:00 in the morning it’s already hot, humid and humming with biting insects! Insect repellent is a must. But it doesn’t keep the flies, gnats off your paper, pastels and paint pallet!
THE SKETCH: I did two sketches. The 5″x 7″ watercolor postcard mailed to my daughter-in-law in sympathy with her gardening struggles.
Our plants are not thriving. Just surviving!
Another sketch was done in pastels. This time I focused on what was still good about the plant – the ripening fruit. Mmm… the glass is looking half-full!
THE TAKEAWAY: Nice imperfections. The smudges and unfinished lines allows the viewer’s eyes to fill in the gaps and form a completed picture in the mind.
I admire the plump, ripening fruit, despite the unforgiving heat!
THE INSPIRATION: I recently posted Claire the Cat’s somewhat apologetic letter to a little girl. If you are new to this blog, you may want to read Claire’s backstory: Claire the Cat . Want to read more posts about her? Type “cats” in the search bar.
THE CHALLENGE: Animals move. Cats move a lot. Unless they are taking one of their daily 12 1/2 naps. So one would think that would be the best time to sketch a cat. Not for this artist’s model! Evidently the scratching sound of charcoal on paper was enough to awaken and annoy Claire the Cat. Who promptly walked away to find respite in her favorite human arms.
I followed. Tried sketching again. To no avail. And had to resort to photography. Claire the Cat was not pleased – as evident in finished piece. Oh the paparazzi!
THE SKETCH: A tiny 5 1/2″ x 3 1/2″ ACEO piece. Pastels and watercolor wash.
THE TAKEAWAY: The artist’s eye can see sense emotion better than any camera! I’m going to try again when Claire is in a happier mood – perhaps a more wakeful moment.
Unbeknownst to my suburban neighbors summer squash, okra, eggplant and bush beans have often been planted in among the dianthus and marigolds filling our front flower bed. A lovely rosemary bush also calls this garden patch home.
THE INSPIRATION: Georgia’s winter 2017 has been unusually warm. Its February and the rosemary has become a fragrant work site for impatient bees resulting in an abundance of tiny blue-violet flowers. On a particularly sunny day, I decided on a bit of plein air work in the garden.
THE CHALLENGE: There is a lot going on in my garden, even in the winter – nuthatches, cardinals and house finches are always busy around the feeder. But to keep the drawing simple, I resisted adding the birds and other garden elements. ( No bunnies.) But the stately pines and surrounding hillside were tempting. After 3 false starts to include these, I decided they were a subject matter for another time.
THE SKETCH: Pastels on medium weight drawing paper.
THE TAKE-AWAY: I like this sketch. Especially the wispy clouds. The stiffness of the rosemary bush and concrete birdbath make a good foil for the sky’s lightness. But it feels a little too still. Perhaps a bird or two fluttering nearby would have added movement to this sketch as they do my garden in winter! One can oversimplify.
My goal in 2017 is to simplify. Simplify. Simplify. This quiet word rolls easily off my tongue. But putting it into practice – ahhh that’s another story.
The Inspiration: Sandy the Parakeet was purchased from a souvenir shop on Jekyll Island, Georgia. He is so colorful and life-like. For years he has perched quietly nearby. A perfectly still subject for a sketch.
The Challenge: All I wanted to do was to paint this simple green bird. Simply. But as I worked, Sandy hard, carved feathers became fluffy layers ready for flight. This was unintentional. So I tried again. Simplifying lines and relaxing ink and paint applications.
The Take Away
Cicadas- Rubbing plate. Watercolor pencils.
Complex Sandy- Artist sketch pen. Watercolor paint.
Simplified Sandy – Sumi ink applied with Japanese brush. Watercolor paint.
The Take Away: The slow process of making sumi ink allowed me to meditate on how I wanted to make my marks. Using the Japanese brush helped to place those marks simply.